His sixth “surprise” song was one the crowd didn’t know, likely a recent release. It was clear that the nostalgia trip was over and we all wanted to go home.
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I truly admire Greep for his ability to blend evocative storytelling with masterfully curated rhythms and beats. It’s what drew me to Paradise Rock Club this Friday night.
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It could have easily been a snowy evening in the late '90s when Souvlaki (1994) was just released and changed the game for shoegaze forever.
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Thankfully bands like Grass is Green are left behind as reminders of what power these scenes hold.
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I just couldn’t shake objectivity in the name of the free press when Paul F****n’ Banks was standing right there in front of me.
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Beyond just the experience of performing, Margaux spoke about everything that has led up to this momentous solo tour and the creative process of her recently released debut album, Inside the Marble.
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The French New Wave background visuals, the style fit for FRUiTS Magazine, the mix of live and trip-hop elements all coalesce into a retro-futurist aesthetic. What was once avant-garde feels now like relics of the past.
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We all let Machine Girl course through our veins and we left with the heat of drum and bass radiating from our skin.
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From the energy of the venue itself to his enthusiasm and passion for the music, Kushner created a truly unforgettable experience. His transcendence of typical concert conventions and connection with the audience made for a great concert experience.
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She left the audience with a feeling of warmth and love– love that she expresses through her beautiful art.
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I don’t think my bones will ever forget that opening song which started a night of pure atmospheric allure and musical mystery.
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Their sound has softened and smoothed out into the tamer, yet still biting pop-rock singles of their latest album, Traumatic Livelihood.
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