I just couldn’t shake objectivity in the name of the free press when Paul F****n’ Banks was standing right there in front of me.
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Beyond just the experience of performing, Margaux spoke about everything that has led up to this momentous solo tour and the creative process of her recently released debut album, Inside the Marble.
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Trialogues is certainly a timeless album, bringing in considerable influences from 1970s psychedelic rock, but turning it into something incredibly ethereal and modern.
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It’s wonderful that Duster blew up after 25 years, but tragic that it led to the creation of this low-effort depression-fetishizing nonsense.
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Please stop being boring. I don’t want to hear your current music at the clubs anymore, I’m getting tired of it.
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The French New Wave background visuals, the style fit for FRUiTS Magazine, the mix of live and trip-hop elements all coalesce into a retro-futurist aesthetic. What was once avant-garde feels now like relics of the past.
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Most every song sounded like a criminal concoction of synths, cringeworthy lyrics, and out-of-place features.
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We all let Machine Girl course through our veins and we left with the heat of drum and bass radiating from our skin.
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Racing through that Amberwood, it only really was a dream. Staring through that Panavision lens, I’ll make it come true.
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